Fiction and Truth

Well, that depends on the type of story you are writing. The length of your narrative will dictate the amount of character information you’ll need to make them come to life. For simplicity sake, I have broken my character sheet down to what I use for each type of writing. Your character sheets might vary.

The two main categories that literature most frequently gets grouped into is both nonfiction and fiction. This article will analyse the genre of fiction and that it has to offer the author. Whenever you begin to research something it is great to start with defining subject of research and in this case that’s fiction. Fiction can be described as story literary works whose content is produced by the imagination and isn’t always based on reality. In fiction the story or an part of it is obviously feigned, invented, or imagined. Basically fiction is no more than a made-up story. Many folks would agree that fiction is normally of the more artistically inclined writer as opposed to nonfiction. Fiction can be used as a great tool to achieve many different motives.

Fiction with its very definition is unreal. After we see a novel we are aware that the narrative and the characters in it are only a product of imagination of the writer. When we view a film we are aware that the characters are just acting their parts basically pretending to be somebody other than themselves. Still we are emotionally affected by the turns and twists in the narrative. We laugh with them, weep with them, and also feel indignant towards the bad guys. The adorable hero or heroine might be despicable in real life and the protagonist may be a perfect gentleman, but we identify them with the characters they’re portraying. In essence for that short period we get transported to the imaginary world of the writer. Oddly enough this happens too with the writer at least to some of these. He or she travels through the very same emotions while writing and possibly later as well. So you can see that here is a topic that you have to be mindful when you are learning about it. What I have found is it really just depends on your goals and needs as it relates to your particular situation. There are possibly more than a few particulars you have to pay close attention to on your part. The best strategy is to try to imagine the effects each point could have on you. The latter half of our discussion will center on a few highly relevant issues as they concern your possible situation.

As you read the science fiction narrative, you will encounter words you don’t know. Each time you locate a difficult word, you should look up the dictionary and discover out its significance. If you didn’t purchase a dictionary, you can use the online dictionary to look up the meaning of the word. You can learn how to pronounce the new word correctly by playing the sound for your pronunciation in the internet dictionary. The more science fiction tales you read, the more wide your vocabulary will become.

An experienced and capable writer never pronounces what his subject is about within his narrative. For a story to be prosperous, its theme needs to stay undetectable but hinted at with subtlety through other devices of fiction.

First, let us consider an imaginary Ideal Average Reader – thirty years old, not a specialist in books or films, average intelligence, moderate or average degree of education. I submit to you that, without the ability to Google (or, what seems unimaginable now, the capacity to run research the old fashioned way, at a library with reference books), the novel would be much less rewarding and possibly incomprehensible. You can always check different fiction stories for reference.

Fiction is an essential part of human life. Man has an inherent need for recreation to get away, even though for a few minutes, from the humdrum of life. Story telling has been among the earliest methods for accomplishing that and over the ages it’s grown into the varied types of entertainment we have in the present day world. Entertainment is basically of two kinds – active and passive. The active entails physical participation in 1 way or other, while the passive does not. Fiction is essentially a passive amusement even though the mind plays an important role within it. Fiction always involves visualization whether it’s covert or overt. The earliest type of overt visualization has been the enacting of dramas as the civilizations developed. The development of technology brought in its modern forms – cinema and television. The covert type is inherent to story telling and reading. It is an inherent feature of the human (or maybe any) mind a thought is always accompanied by an image. So as soon as one reads or hears a story the mind visualizes the scene as well as the figures; this process continues throughout the story and frequently even after it has finished.

“I thought we were going to learn about good and evil, human nature, how to be great. You know. What God is really like. You know. The Way to live. But we’re learning about P and Q arrows R or S. What’s that, haw? I work all day, and commute for two weeks, and what do I get? P and Q arrows R.”

Mythology is just another genre of literature that’s extremely intriguing. Mythology can be defined as a sort of legend or traditional narrative. Mythology is generally a body of myths, as that of a particular people or who relating to a particular individual. Often times this literary speech is based on particular historical events. These generally reveal human behaviour and natural phenomena with its own symbolism. Mythology most frequently is pertaining the actions of their gods. Very similar to terror, mystery is a genre of fiction that’s been very popular to mass markets. Mystery’s deal with the alternative of a crime or the unraveling of secrets. Anything that is kept confidential or remains unexplained or unknown within literature falls under this category. A Tall Tale is seen frequently within literature.

Communicating each side of the debate equally, occasionally through both the antagonist and the protagonist, may specify the theme with additional impact. In Les Misérables, our milder side may adhere together with Jean Valjean, but we also see the righteousness in Inspector Javert.

I wrote a short story called “Shooting Goliath” as a sensible story of what happened to me when I fell off a waterfall. BUT I also have a scene in my own time traveling adventure where my main character jumps off a waterfall to catch someone else’s attention. I KNOW that is fiction… because I am scared of heights, but I have had the experience which makes that segment believable. I’ve got a character in that book that lost their partner after 30 decades, which has also happened to me. My story is based on the idea you can not help others if you can not help yourself. Every character has doubts and fears to overcome before they can finish their assignments. I concentrate on what I do understand, not to what I do not.

If the motif staged an emotion, its power becomes universal. After the writer creates and dramatizes his subject through an emotion, his saying of this truth leaves an unforgettable effect on the reader. Hence an ambitious writer could pick an emotion as the major part of the subject.